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Hamdan, S., Jusoh, I., Rahman, M. R., and de Juan, M. (2016). "Acoustic properties of Syzygium sp., Dialium sp., Gymnostoma sp., and Sindora sp. wood," BioRes. 11(3), 5941-5948.

Abstract

Acoustic properties such as specific dynamic Young’s modulus (Ed/γ), internal friction (Q-1), and acoustic conversion efficiency (ACE) of wood are important properties frequently examined using free-free flexural vibration. This study determined the suitability for making musical instrument soundboards and frameboards from four tropical wood species; namely Syzygium, Dialium, Gymnostoma, and Sindora. The results show that (Ed/γ), (Q-1), and ACE were in the range of 20.0 to 28.9 GPa, 0.0031 to 0.0085, and 3.41×107 to 10.83×107, respectively. Based on the results, Syzygium was preferred for making the frameboard of violins and guitars. The outer sapwood (outer part) of Syzygium was the most suitable for making frameboard by considering the lowest ACE and highest Q-1. Based on Ed/γ, the inner sapwood (middle part) in Dialium was the most suitable for making soundboard, but based on Q-1 and ACE, heartwood (inner part) was the most preferred for making soundboard. Gymnostoma was also preferred for making soundboard of violins and guitars (inner sapwood) because it yields the highest mean value of Q-1 and ACE. Considering ACE and Q-1, the outer sapwood in Sindora was the best for making frameboard. When considering Ed/γ and Q-1, the heartwood is the most suitable for making the frameboard of violins and guitars.


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Acoustic Properties of Syzygium sp., Dialium sp., Gymnostoma sp., and Sindora sp. Wood

Sinin Hamdan,a,* Ismail Jusoh,b Md Rezaur Rahman,c and Max’Q de Juan a

Acoustic properties such as specific dynamic Young’s modulus (Ed/γ), internal friction (Q-1), and acoustic conversion efficiency (ACE) of wood are important properties frequently examined using free-free flexural vibration. This study determined the suitability for making musical instrument soundboards and frameboards from four tropical wood species; namely SyzygiumDialiumGymnostoma, and Sindora. The results show that (Ed/γ), (Q-1), and ACE were in the range of 20.0 to 28.9 GPa, 0.0031 to 0.0085, and 3.41×107 to 10.83×107, respectively. Based on the results, Syzygium was preferred for making the frameboard of violins and guitars. The outer sapwood (outer part) of Syzygium was the most suitable for making frameboard by considering the lowest ACE and highest Q-1. Based on Ed/γ, the inner sapwood (middle part) in Dialium was the most suitable for making soundboard, but based on Q-1 and ACE, heartwood (inner part) was the most preferred for making soundboard. Gymnostoma was also preferred for making soundboard of violins and guitars (inner sapwood) because it yields the highest mean value of Q-1and ACE. Considering ACE and Q-1, the outer sapwood in Sindora was the best for making frameboard. When considering Ed/γ and Q-1, the heartwood is the most suitable for making the frameboard of violins and guitars.

Keywords: Acoustic properties; Tropical wood species; Syzygium; Dialium; Gymnostoma; Sindora

Contact information: a: Department of Mechanical and Manufacture Engineering, b: Faculty of Resource Science and Technology and c: Department of Chemical Engineering, University Malaysia Sarawak, P. O. Box 94300, Kota Samarahan, Malaysia; *Corresponding author: reza_bawas@yahoo.com

INTRODUCTION

There is great opportunity to explore the acoustic properties of various wood species for manufacturing high quality musical instruments, since wood is found in numerous tropical forests in Malaysia. Even though tropical rainforests have enormous resources of timber (especially in Borneo), where the major timber consumers are housing developers, wood fabricators, and furniture manufacturers, research on tropical wood for musical instruments is still lacking. Musical instruments are manufactured from wood due to its unique acoustic properties, even though there are other various materials currently available. However, up to this point, experienced manufacturers have determined the suitability of tropical wood for making musical instruments mainly based on trial and error. Therefore, although there are a lot of other wood species available in Malaysia, the tropical wood species that have been selected by experienced manufacturers in making musical instruments are very limited, such as Intsia palembanica(Merbau) and Artocarpus champeden Spreng. (Cempedak) (Chong 2000). The importance of this study is to employ a scientifically based approach in determining the acoustic properties of wood rather than trial and error.

Suitable wood for manufacturing musical instruments can be scientifically determined by the acoustic properties. So far, only a few tropical wood species have been used, such as Dialium and Agathis borneensis (Yasuda et al. 1993; Obataya et al. 1996; Matsunaga et al. 1996; Chong 2000; Kubojima et al. 2000; Chang et al. 2000).

Acoustic properties such as specific dynamic Young’s modulus (E/γ), internal friction Q-1), and acoustic conversion efficiency (ACE) of wood are important properties frequently examined by researchers. ACE is related to the ratio of acoustic energy radiated from the musical instrument to the energy given to the instrument. A high ACE is required for an excellent soundboard. Generally, wood with a higher value of Ed/γ and lower Qˉ1 is suitable for soundboards; thus, wood having a lower value of Qˉ1/(Ed/γ) is suitable for musical instruments. Vibration technique is one of the non-destructive evaluation techniques used as an alternative method for measuring the acoustic properties of wood.

Full-grown trees were used as the source of wood for this work. By using the whole tree, a serious producer of musical instruments can be assured that the variation from heartwood and sapwood is acceptable. These particular species are not being used by the major timber consumers such as the housing developers, wood fabricators, and furniture manufacturers, but they are found growing easily in the tropical forest. Research on these species for musical instruments is still lacking because musical instrument in Malaysia are very limited to Intsia palembanica (Merbau) and Artocarpus champeden Spreng. (Cempedak). As far as the authors have been able to determine, there is no historical use of these woods and no record on any prior use of any of this species in the musical field. The objectives of this study are to determine acoustic properties including Ed/γQ-1, and ACE of four selected low density tropical wood species namely SyzygiumDialiumGymnostoma, and Sindora from tropical forests in Borneo and determine their suitability for making acoustic instruments like violin and guitar.

EXPERIMENTAL

Materials

The specimens were cut from heartwood and sapwood of four wood species. Sindora sp. (vernacular name Sepetir applied in Malaysia) is from the Leguminosae family. It grows in the district of Borneo, Malaysia, and has a brown to light brown appearance. It is normally used in light construction, plywood, and furniture. Syzygium sp. (vernacular name, Ubah) is from the Myrtaceae family. It grows in Borneo, Malaysia, and has a dark grey to red brown appearance. It is normally used in beams, joists, rafters, and medium heavy structures. Gymnostoma spp. (Gymnostoma nobile) (vernacular name, Rhu) is from the Casuarinaceae family. It grows in Borneo and has a dark brown to red brown appearance. It is normally used in firewood and charcoal. Dialium spp. (vernacular name, Keranji) is from the Leguminosae family. It grows in Borneo and has a light to yellow brown appearance. It is normally used in pilings, doors, and window frames. Wood samples of Syzygium sp., Dialium sp., Gymostoma sp., and Sindora sp. with diameter at breast height (DBH) were at 46.8, 41.0, 45.0 and 76 cm, respectively. Test samples were from three radial positions namely heartwood, inner sapwood and outer sapwood (Fig. 1). Heartwood samples were 3 cm from the pith to avoid the inclusion of juvenile wood.

Fig. 1. Heartwood (1st), inner sapwood (2nd) and outer sapwood (3rd) of Dialium spp. (vernacular name, Keranji)

Methods

The four species of wood specimens were machined and divided into heartwood, inner sapwood, and outer sapwood (Fig. 1). Each section was machined into dimensions of 340 mm (L) x 20 mm (T) x 10 mm (R) for free-free vibration test. Each section provided 20 specimens of each species for the tests. All specimens were oven-dried to reduce the moisture content and were stored at ambient temperature at 25 oC and 60% relatively humidity for one month prior to testing.

Fig. 2. Schematic diagram of free-free flexural system

Figure 2 shows a schematic diagram of free-free flexural system (Sedik et al. 2010). The specimen was held with a thread according to the first mode of vibration. The specimen with iron plate bonded at one end was set facing the electromagnetic driver, and a microphone was placed at the centre below the specimen. The frequency was varied from 1 Hz to 1000 Hz to achieve a resonant or natural frequency. The dynamic Young’s Modulus (E) was calculated from the resonant frequency using Eq. 1,

Where  , is beam depth, b is beam width, is beam length, is natural frequency of the specimen, is mode of vibration, ρ is density, is cross sectional area, and m= 4.73.

The internal friction, Q-1, was calculated from the resonant, lower, and upper frequencies (Eq. 2). The upper frequency f2 and lower frequency f1 were obtained by reducing the amplitude to 0.5 (6.02 dB) below the amplitude of the resonant frequency f0,

Q-1 = tan (δ) (2)

where δ = πΔf/f0√3, Δf = f2 – f1

The acoustic converting efficiency (ACE), was evaluated by using Eq. 3,

where specific gravity (γ) in the air dry state was determined using Eqs. 4,

Specific gravity (γ) m/mw (4)

and where is the oven dry mass of sample (volume of sample at air dry state) and mw is the mass of displaced water.

RESULTS AND DISCUSSION

Three major properties, namely specific dynamic Young’s Modulus (Ed/γ), internal friction (Qˉ1), and acoustic conversion efficiency (ACE) based on the frequency of the different species of wood, were compared which are shown in Figs. 3, 4, and 5, respectively. ACE is related to the ratio of acoustic energy radiated from the musical instrument to the energy given to the instrument. Generally, wood with higher value of Ed/γ and lower Qˉ1 is suitable for soundboards (Yano et al. 1992, 1995). A high ACE is required for an excellent soundboard; thus, wood having a lower value of Qˉ1/(Ed/γ) is suitable for musical instruments.

Based on Table 1 and Figs. 3 through 5, the mean Ed/γQ-1, and ACE of each wood species were in the range 20.0 to 28.9 GPa, 0.0031 to 0.0085, and 3.41×107 to 10.83×107, respectively. Syzygium yielded the lowest mean acoustic properties in terms of Ed/γ and ACE and the highest Q-1. In comparison with previous studies (Yano et al. 1992; Yano et al. 1995), the present study clearly showed that Syzygium is preferred for making frameboard of guitars and violins. The outer sapwood, the outermost sapwood, was the most suitable sample for making frameboard by considering the lowest ACE and highest Q-1 among the three samples (Yano et al. 1995).

Dialium spp. was preferred for making soundboard of violins and guitars due to the highest mean value of ACE and Ed/γ and lowest mean value of Q-1. Based on the value of Ed/γ, the inner sapwood was most suitable for making soundboard, but based on the value of Q-1 and ACE, the outer sapwood was most preferred for making soundboard because of its lowest Q-1 and highest ACE in Dialium spp. (heartwood to sapwood) (Sedik et al. 2010).

Fig. 3. Mean specific dynamic Young’s Modulus (Ed/γ) from three samples (heartwood to sapwood) for SyzygiumDialiumGymnostoma, and Sindora wood log and comparisons to wood species for manufacturing soundboard and frameboard

Fig. 4. Mean internal friction (Q-1) from three samples (heartwood to sapwood) for SyzygiumDialiumGymnostoma, and Sindora wood log and comparisons to wood species for manufacturing soundboard and frameboard

Fig. 5. Mean acoustic converting efficiency (ACE) from three samples (heartwood to sapwood) for SyzygiumDialiumGymnostoma, and Sindora wood log and comparisons to wood species for manufacturing soundboard and frameboard

Based on the mean value of the acoustic properties, Gymnostoma is also preferred for making soundboard for violins and guitars. Considering the mean value of acoustic properties between the three samples, the inner sapwood might be the best sample for making soundboards due to the highest mean value of Q-1 and ACE, even though the mean value of Ed/γ did not yield the highest result among the three samples. Based on the mean value of Ed/γ and Q-1 and comparison between the previous study, Sindora was preferred for making frameboard for violins and guitars even though the mean value of ACE was quite high compared to the three others species (Yano et al. 1992, 1995). Considering the mean value of ACE and Q-1, the heartwood is the best sample for making frameboard. When considering the mean value of Ed/γ and Q-1, the outer sapwood was the most suitable for making frameboard for violins and guitars.

Table 1. Mean Acoustic Properties (Obtained from Free-Free Flexural Vibration) of Received Wood Species Studied and Wood Species Suggestion for Manufacturing Soundboard and Frame Board

CONCLUSIONS

  1. The suitability for the three samples for each species of wood for manufacturing soundboard and frameboard was evaluated and compared with the value of wood species for manufacturing soundboard and frameboard for musical instrument such as guitars and violins.
  2. The mean values of specific dynamic Young’s Modulus (Ed/γ), internal friction (Q-1), and acoustic converting efficiency (ACE) of each wood species were in the ranges of 20.0 to 28.9 GPa, 0.0031 to 0.0085, and 3.41×107 to 10.83×107, respectively.
  3. Based on the evaluation, Syzygium was preferred for making frameboard for guitars and violins. The outermost sapwood of the Syzygium, was the most suitable sample for making frame board by considering the lowest ACE and highest Q-1.
  4. Dialium is preferred for making soundboard for violins and guitars because of the highest mean value of ACE and Ed/γ. Based on the value of Ed/γ, the inner sapwood was the most suitable for making soundboard. Based on the value of Q-1 and ACE, the outer sapwood was the most preferred for making soundboard since it yield the lowest Q-1 and highest ACE amongst the three samples in Dialium.
  5. Gymnostoma was also preferred for making soundboard for violins and guitars. The inner sapwood might be the best sample for making soundboard due to the highest mean value of Q-1 and ACE amongst the three samples.

ACKNOWLEDGMENTS

This work was financial supported by University Malaysia Sarawak under grant number FRGS/SG02(01)/1085/2013(31).

REFERENCES CITED

Chang, S. T., Chang, H. T., Huang, Y. S., and Hsu, F. L. (2000). “Effects of chemical modification reagents on acoustic properties of wood,” Holzforschung 54, 669-675.

Chong, J. (2000). Traditional Musical Instruments of Sarawak. Kuching Museum Department, Sarawak.

Kubojima, Y., Okano, T., and Ohta, M. (2000). “Vibrational properties of heat-treated green wood,” J. Wood Sci. 46, 63-67.

Matsunaga, M., Sugiyama, M., Minato, K., and Norimoto, M. (1996). “Physical and mechanical properties required for violin bow materials,” Holzforschung 50(6), 511-517.

Obataya, E., Umezawa, T., Nakatsubo, F., and Norimoto, M. (1996). “The effects of water soluble extractives on the acoustic properties of reed (Arundo donax L.),” Holzforschung 53, 63-67.

Sedik, Y., Hamdan, S., Jusoh, I., and Hasan, M. (2010). “Acoustic properties of selected tropical wood species,” J. Nondestruct. Eval. 29(1), 38-42.

Yano, H., Matsuoka, I., and Mukudai, J. (1992). “Acoustic properties of wood for violins,” Mokuzai Gakkaishi 38, 122-127.

Yano, H., Kyou, K., Furuta, Y., and Kajita, H. (1995). “Acoustic properties of Brazilian rosewood used for guitar back plates,” Mokuzai Gakkaishi 41, 17-24.

Yasuda, R., Minato, K., and Yano, H. (1993). “Use of trioxane for improvement of hygroscopic and acoustic properties of wood for musical instruments,” J. Wood Sci. Technol. 27, 151-160.

Article submitted: January 5, 2016; Peer review completed: April 12, 2016; Revised version received and accepted: May 3, 2016; Published: May 16, 2016.

DOI: 10.15376/biores.11.3.5941-5948